harmno

ryandonato:

Mahabalipuram Mamallapuram Stone Carvings
jun. 2

ryandonato:

Mahabalipuram Mamallapuram Stone Carvings

Maio 31

(Fonte: sollapalooza, via thefingerfucker)

programmers…
Maio 29

programmers…

lindo ;}
Maio 29

lindo ;}

visual-poetry:

“here’s looking at you, kid” by anatol knotek
Maio 28

visual-poetry:

“here’s looking at you, kid” by anatol knotek

scrollart:

Scroll Animation - Oil Painting - Strawberries and Cream Cubes
Maio 28

scrollart:

Scroll Animation - Oil Painting - Strawberries and Cream Cubes

(via scarpucci)

voyds:

krystian kujda
Maio 28

voyds:

krystian kujda

(via fearvictim)

Maio 28

(via behindchanelsunglasses)

Maio 28

(Fonte: pretty-glamorous, via hardcore)

Maio 28

(Fonte: erosum, via megantreesinme)

Maio 28

farewell-kingdom:

Being here, by Mark Garry, thread pins, beads

Maio 28

(via megantreesinme)

Maio 27

(Fonte: always-a-slave, via marcedith)

historiated:

Ivory mirror back with relief carving of a Knight and Lady Playing Chess, c. 1300-25, Paris, France.From the object’s listing among the collections of the V&A: “More mirror cases have survived than any other form of secular ivory. They are thin discs carved on the face with scenes of lovers, the Attack on the Castle of Love, or other subjects, while the back was so designed that a polished metal disc could be inserted to serve as a mirror.”From the object’s listing among the collections of the V&A, by Michael Camille in reference to a similar mirror back currently among the collections of the Louvre: “That courtly couples were constrained by a different set of moves, which made love into a game, can be seen in an ivory mirror case representing a couple playing chess. Even when a couple are shown at the second stage of love and not physically touching as here, there are hints that the third, fourth and fifth stages are quickly approaching. This mirror is an elaborate allegory of desire in which the man is about to “check” his mate as he crosses one leg elegantly over the other in expectation and grasps the central tent pole like a phallic lance. This thrusting imagery continues in the presentation of the lady, whose body has literally been gouged out of the creamy ivory in a series of swaying Gothic folds, emphasizing her penetrability. Even the parted curtains that frame the whole intimate scene are … a well-understood sign, not only of the curtains around a bed, but also the anatomical opening of the woman’s body, which cannot be represented as such… Chess was the perfect allegorical device because it articulated the playful tension and the often violent conflict inherent in the strategies of seduction that formed the medieval art of love.”
Image and description taken from the online collections of the Victoria and Albert Museum (Source).
Maio 27

historiated:

Ivory mirror back with relief carving of a Knight and Lady Playing Chess, c. 1300-25, Paris, France.

From the object’s listing among the collections of the V&A: “More mirror cases have survived than any other form of secular ivory. They are thin discs carved on the face with scenes of lovers, the Attack on the Castle of Love, or other subjects, while the back was so designed that a polished metal disc could be inserted to serve as a mirror.”

From the object’s listing among the collections of the V&A, by Michael Camille in reference to a similar mirror back currently among the collections of the Louvre: “That courtly couples were constrained by a different set of moves, which made love into a game, can be seen in an ivory mirror case representing a couple playing chess. Even when a couple are shown at the second stage of love and not physically touching as here, there are hints that the third, fourth and fifth stages are quickly approaching. This mirror is an elaborate allegory of desire in which the man is about to “check” his mate as he crosses one leg elegantly over the other in expectation and grasps the central tent pole like a phallic lance. This thrusting imagery continues in the presentation of the lady, whose body has literally been gouged out of the creamy ivory in a series of swaying Gothic folds, emphasizing her penetrability. Even the parted curtains that frame the whole intimate scene are … a well-understood sign, not only of the curtains around a bed, but also the anatomical opening of the woman’s body, which cannot be represented as such… Chess was the perfect allegorical device because it articulated the playful tension and the often violent conflict inherent in the strategies of seduction that formed the medieval art of love.”

Image and description taken from the online collections of the Victoria and Albert Museum (Source).

(via skekoa)

byroglyphics:

I have a new print ‘Pleiades’ available from Knee Deep in Sleep.
Edition of 50 -signed, embossed and supplied with a certificate of authenticity.
Printed on  Hahnemühle PhotoRag 310gsm paper. 59 x 42 cm
Please click on the link or the image for further information. http://bit.ly/tLtw0H
Maio 27

byroglyphics:

I have a new print ‘Pleiades’ available from Knee Deep in Sleep.

Edition of 50 -signed, embossed and supplied with a certificate of authenticity.

Printed on  Hahnemühle PhotoRag 310gsm paper. 59 x 42 cm

Please click on the link or the image for further information. http://bit.ly/tLtw0H